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Porcelain marks are the fingerprints of antique china. Serving as both evidence of its
origin, age, and often times, quality, the makers mark on a
porcelain item is the first place
many collectors look before making a purchase. For any piece of
fine china, the porcelain mark is a symbol of pride in the
manufacturer's workmanship. It is intended to instill confidence
in the buyer, and inspire a sense of loyalty in the heart
of the satisfied collector.
The earliest porcelain
mark in the history of European production is the monogrammed
Meissen "AR" mark, which stands for
Augustus Rex, sometimes known as
Augustus the Strong. As king of Saxony in the eighteenth
century, Augustus commissioned the first production of European
hard-paste porcelain. Soon after the Meissen Royal Manufactory began producing pieces with the famous crossed swords mark, which has
become the most recognizable (and most imitated) porcelain mark in
history.
Most porcelain marks on
fine antique china, such as the Meissen marks, are "underglaze"--meaning,
they were applied to the piece prior to firing. For the first
hundred years or so of porcelain production there were only two known
pigments that could withstand the high firing temperature necessary:
iron red and cobalt blue. The latter was the more popular, so
most European porcelain marks are cobalt blue underneath the glaze.
One important exception
is the work of the Dresden porcelain
studios, operating in the Saxon capital during the late nineteenth
century. These famous artists, including Carl Thieme,
Helena Wolfsohn,
Franziska Hirsch, and others, procured blanks from other
factories and applied them with their own handpainting or sculpted
embellishments. In most cases these blanks bore marks of the
factories within which they were produced. The Dresden decorators
covered these porcelain marks with a gold glaze, and then applied their
own above-glaze mark: usually a blue crown.
Often times a piece of
china will bear two marks in this way: one beneath the glaze,
indicating the factory that produced the blank, and the second above
the glaze indicating the decorator. Much
Haviland china, for example, bears
the green underglaze mark "Haviland France," and the red decorators
stamp: "Haviland & Co. Limoges." In this case, the china bears
two marks even though the pieces were produced in different parts of
the same factory. (Click here for a
complete explanation of Haviland marks.)
Another common type of
porcelain mark is the retailer or distributor's mark. In certain
cases large importers would special order china to be marked with the
name of domestic retailers. This is also commonly seen with
Haviland china, with certain pieces bearing stamps of domestic
retailers such as Sanger Brothers in Dallas, TX or W.J.
Petee & Co in Oklahoma City, OK. These stamps are no indication
of either the place of manufacture or decoration.
In general, the more
prized the product by a certain manufacturer, the more likely it is
that the makers mark has been imitated at some time or another.
However, it is also important to remember that even the most
prestigious porcelain manufacturers were, to some degree, considered
imitators in their own day. Some 18th century Meissen pieces, for
example, bear Oriental designs or features, and are even painted with
fake Chinese or Japanese marks! The now-famous Dresden artists
were, in their day, considered to be Meissen imitators and some
decorators, such as Helena Wolfsohn or Carl Thieme, even faced lawsuits
brought against them by the Meissen Royal Manufactory for their use of
deceptively-similar marks. Even so, pieces by Helena Wolfsohn
that bear the fraudulent "AR" monogram are highly prized today, and the
works of the Dresden studios have since seen their fair share of
imitations in the last hundred years.
Above, you will find a
list of sample markings by many different manufacturers from around the
world, whose products can be found on our website. Simply click
on the mark that interests you to find more information about the
manufacturer, and a list of the items we have for sale.
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